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Actor and Ambassador: David Bennent took on a dual role

Art, Music & Theater, Collaborations & Partnerships, News

“Older folks will remember”…a cliché that’s hard to avoid at this point: At the age of twelve, David Bennent—born in 1966 and the son of a Swiss acting family—played Oskar Matzerath in the film adaptation of Günter Grass’s *The Tin Drum*. A successful film that filled movie theaters starting in 1979 and was known for its ideal cast under director Volker Schlöndorff. In that film, Bennent, in his childlike role, protested against the adult world of the late 1920s in Danzig. Today, Bennent is an ambassador for the international children’s aid organization “terre des hommes”; in that capacity, he came to Marburg for a reading—and then to the Steinmühle.

An experienced actor, socially conscious and attuned to the perspectives of young people—the DS 11 class taught by Steinmühlen teacher Ines Vielhaben could hardly have asked for a better instructor for a short workshop. The arrangement with the prominent guest came about through the art and DS teacher’s connection to Gisela Glatzl, one of the active members of terre des hommes Marburg. “We’d prefer it if no one were watching,” Bennent explained, expressing his wish to have no observers in the room during the workshop. Afterward, the wonderful actor—who, though only 1.55 meters tall—answered all kinds of questions.

Bennent personally has very little experience with school. “My parents were against it,” says the Swiss native, adding that his mother homeschooled him and his sister. The goal was to encourage free thinking and self-reflection. Exams and anxiety were to be kept at bay.

By no means did “focusing on oneself” result in a person with egocentric traits. On the contrary, Bennent has long been concerned about the plight of children. The actor has been closely associated with terre des hommes for about 20 years, and he has served as an ambassador for the children’s charity since 2019. “What lies ahead? We have to take responsibility,” he asserts.

 

“Every single person can make a difference”

David Bennent focuses particularly on the textile industry. “We pay such a low price for many items—and that’s not right.” The actor denounces the situation in countries such as Bangladesh and India, where children are forced to work under terrible conditions. If everyone just gave a little thought to where textiles come from and was willing to adjust their buying habits slightly, that would already be a big step forward.

Bennent wants to dispel the misconception that individuals can’t make a difference. He cited the example of a major food and beverage corporation that, after its drinking water policy became public, saw a 20 percent decline in sales over the course of three years in some parts of the world. Bennent commented: “The cumulative effect of our behavior certainly has an impact. You can see that here.”

Bennent appealed to the students: “Each and every one of you is important.” And they were so impressed by his remarks that they took several selfies with the actor, who now lives in Berlin. Whether a guest at the Steinmühle is interesting to young people apparently has nothing to do with their age. And, as we learned, neither does their awareness of social issues.

8. May 2023
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…and they’re flexible, too: Bands On Stage offered carefree musical enjoyment

Art, Music & Theater, News

The Steinmühle is known, among other things, for its successful and well-organized music events. Students and teachers also know how to respond flexibly when things don’t go as planned—as was recently the case with “Bands On Stage.” Despite some performers having to drop out at the last minute, the audience enjoyed 90 minutes of a highly entertaining mix of music and didn’t let the performers leave the stage without a big round of applause and an encore.

As of February, the band club for grades 5 and 6 still had 11 students; after that, much to the delight of director Frank Wemme, the number grew to 18! The new members quickly found their place behind their own instruments or at the microphone. They kicked off the evening for the audience in the hall with Rihanna’s “Umbrella”—a fitting start for the day, as umbrellas had indeed had to be opened quite a few times outside that Monday. The group performed “Sorry” by ClockClock as their second song—another track that was familiar to the audience and clearly well-received.

Filling in for music teacher and choir director Daniel Sans is a challenge. Our colleague Anna Prokop handled this task exceptionally well when it came to directing the performance of the elective musical class for grades 8 and 9. Due to the absence of some participants, the program had to be scaled back from four performances to three. The songs, performed with great emotion—namely “Lovely” by Billie Eilish, “Traitor” by Olivia Rodrigo, and “Control” by Zoe Wees—were met with tremendous enthusiasm from the audience, received loud applause, and were captured on many a cell phone camera.

The rejuvenated JazzEnsemble, led by Frank Wemme, showcased plenty of rhythm. They performed Herbie Hancock’s “Chans’ Song” and Bobby Timmons’ “Moanin’.” Afterward, they wowed the audience with the classic “I Love Rock ’n’ Roll” by Joan Jett & The Blackhearts.

Frank Wemme not only hosted the evening but also led another musical highlight with the newly formed StoneMill House Band. Well-known songs such as “I Ain’t Worried” by One Republic, “House of Memories” by Panic! at the Disco, “Sunny” by Bobby Hebb, and “Uptown Funk” by Mark Ronson and Bruno Mars led up to the evening’s finale, and the audience thoroughly enjoyed the variety of the performance.

The following artists performed at Bands On Stage on March 27:

Band Club, Grades 5 & 6: Carla Isenberg, Matteo Dörbecker, Maya Böttcher, Helena Taschner (vocals), Lotta Funk (violin), Tim Henseling, Damir Vaslylenko, Justus Pöschl, Joshua Triml-Chifflard (glockenspiel), Vincent Pfaar, Anna-Lena Griesler, Justus Pöschl (guitar), Philian Merle, Helena Taschner, Emilia Ritter (piano), Lika Schnabel (bass), Leni Ochs, Noel Hopf (djembe), Antonia Mahnken, Lino Nordwald (drums).

WU Musical, Grades 8 & 9: Evelyn Hildermann, Annica Bartsch, Antonia Kurlinsky, Carlotta Meyer (vocals).

Jazz Ensemble: Juliane Spies (flute), Justus Mahnken (alto saxophone), Constantin Franz (guitar), Juliana Stry (euphonium), Janne Schweitzer (bass), Frank Wemme (piano).

Title: I Love Rock ‘n’ Roll: Juliana Stry (vocals), Constantin Franz (guitar), Jaron Häußermann (drums).

StoneMill House Band: Sophie Gurschi, Juliana Stry (vocals), Juliane Spies, Sascha Trofimov, Sonia Weber (flute), Justus Mahnken, Louisa Röder (alto saxophone), Lars Mitschke (trombone), Juliana Stry, Marit Winterstein (euphonium), Constantin Franz, Stella Gorr (guitar), Svea Turba (piano), Janne Schweitzer, Lika Schnabel (bass), Jaron Häußermann (drums).

WU Sound&Light, led by Matthäus Otte, was responsible for the technical aspects.

5. April 2023
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Impressive as a drawing and a model: Art class plans the future of the former university library

Art, Music & Theater, Collaborations & Partnerships, News

What might the future hold for the former Marburg University Library? The introductory art class taught by instructor Ines Vielhaben has been exploring how the striking building on Wilhelm Röpke Street—which has been practically “obsolete” since the new building was erected at Pilgrimstein—might be used in the near future. Two students decided they’d rather design and build a model than take a written exam. The model, based on a floor plan they drew themselves, was recently presented at the Steinmühle and discussed with two professionals.

It was truly amazing what the students Fabian and Joel had managed to pull off! Even the floor plan on graph paper, drawn to a scale of 1:100 like an architectural blueprint, looked professional. “Of course we had to ask for tips on how to draw a floor plan,” Joel explained, glancing at their teacher, Ines Vielhaben. He was the project partner who focused on the drawing. The result was extremely impressive, as even the tiniest details were taken into account—clean and precise.

“We focused on the tower,” the students explained regarding their assignment. They assumed 11 stories, and although the windows were not included in the model, their number was calculated for the sake of practical implementation: “The building would have 1,000 to 1,400 windows.” If it were up to Fabian and Joel, the old university library would be transformed into a modern student residence. Four shared apartments per floor, with individual rooms of about 18 square meters, each with a shared bathroom including a toilet, as well as a common room.

 

Housing for Students in a modern setting

But the students went even beyond basic housing needs and considered how the surrounding area could be designed as a contemporary living space. On the top floor, they envisioned a rooftop café. They planned for a wooden exterior façade—in keeping with the concept of sustainable construction—as well as solar panels in the outdoor area facing the sun. Designing the building’s surroundings proved to be a successful challenge in terms of miniature details, whether it was sun loungers and umbrellas, landscaping, raised garden beds, a volleyball court, or bicycle parking spaces. A truly impressive model that clearly showed the ambition and enthusiasm with which the many tiny details had been crafted.

To the expert eyes of Maja Turba and Ute Kohlhauer from the Department of Civil Engineering and Safety Engineering at the University of Marburg, these significant investments of ambition, energy, and interest in the field of construction were a delight. “The result is all the more impressive given that it’s ‘just’ a basic art course,” says project leader and art teacher Ines Vielhaben with delight. The young planners and model builders took note with interest of the minor adjustments that would be necessary if the miniature designs were actually turned into a real project: fire escapes and a utility shaft were missing. Maja Turba: “A building of this scale houses kilometers of cable.”

At the end of the meeting, all the students in the class, along with Fabian, Joel, and the two construction experts, posed for a photo with photographer Ines Vielhaben. Everyone agreed: a project like this should definitely set a precedent!

5. April 2023
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A First: Revue Showcased Cultural Highlights from the Upper School

Art, Music & Theater, News

“We pooled all our resources—with discipline and, above all, with passion.” Over the course of two days, 160 participants from the fields of theater, visual arts, and music captivated the audience in the packed Forum. The results of Steinmühlen’s work in the arts were presented as a “revue” in a joint performance—a format that had never been done before.
Culture suffered particularly during the pandemic. Many rehearsals had to be canceled or took place under difficult conditions. Events with an audience were out of the question. Yet there were so many things shaping the students’ thoughts: the war in Ukraine, the climate activists’ protests, life at school, personal matters, and their own love lives. But where could these topics be heard?
Daniel Sans is the cultural coordinator at Steinmühle. “I see it as my job to bring all cultural areas together and, in doing so, create a platform for everyone.” An initiative was launched to offer the entire upper school a performance opportunity where everyone could showcase their talents.
Sans envisioned a loose sequence of acts, including drama, singing, music, acrobatics, and magic. “I sought out the leaders of these departments,” he recalls, “and they, in turn, engaged with the student body.” From this collaboration emerged topics that resonate with young people. The working title “Revue” was born.

Working in small groups, high school students brainstormed and compiled topics. They rehearsed plays, created many art pieces, developed a music quiz, and compiled songs that fit the overarching theme. That overarching theme—which was also the title of the event—was spot-on and couldn’t have been better: “The World and Me—Me and the World.”
In addition to the challenging rehearsals, the big rehearsal weekend with 160 participants, and the dedication required of everyone involved, practical help—such as designing posters and tickets—was also essential. Artistically designed by art teacher Heike Rabben-Martin, known as Rado, the tickets, when distributed at the school office, indicated that a larger audience was expected. The revue was to be free of charge; the process was simply intended to provide an overview of how many audience members to expect.

The result of all these efforts was art and entertainment at its very finest. Great acting talent came to the fore, and the performers connected brilliantly with the audience, who were soon captivated. The segments where the audience was invited to test their dancing skills were particularly lighthearted, and the way the show seamlessly shifted between serious topics and humorous segments was especially impressive. Kudos to the director!

Many teachers and a wide range of Steinmühlen equipment were involved in the preparation and presentation of the event. In order of appearance, the audience enjoyed Melisande Lauginiger’s DS class performance, “DS 13 Has More Than Meets the Eye”; solo artists Laura Salvati (violin) and Iliya Zand (piano); the “World Music Quiz” by Ulrike Wilmsmeyer’s 12th-grade music class, the performance by tenor Félix Müller—which was met with a standing ovation—Ines Vielhaben’s 11th-grade DS class with “Ich will mich sein wie Ihr,” and the upper-level choir conducted by Daniel Sans. Olaf Roth and the 11th-grade music class presented new material with the band “One World.” In the foyer, Ines Vielhaben and the Q1 advanced course displayed figures from the “All Welcome” cultural installation.

It goes without saying that the evening, with its rotating emcees, could not have taken place without the support of members of the school community, but it is still worth mentioning. Special mention goes to Frank Wemme, who is not only the head of the lower secondary school but also well-versed in music and organization, as well as Anna Prokop, a new permanent member of the faculty. Reliable technical support from “Sound & Light,” led by Matthäus Otte, along with assistance from the custodians, ensured the right conditions for everyone to enjoy the evening. “The fact that the school administration supported us and made time available was, of course, the foundation for everything,” Daniel Sans recalls.
“It’s an experiment,” the cultural affairs representative had said in the run-up to the performance, adding that if it was a success, they were considering doing it again. From the perspective of the enthusiastic audience, which demanded an encore, the decision has been made.

8. March 2023
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Reaching for the Sky—Here’s Exactly How to Do It!

Art, Music & Theater, News

There are many ways to make the most of a long wait: You can complain and whine, you can doze off—or you can create something creative. On Saturday, a student waiting with his parents for his admission interview with the school administration chose the latter. He grabbed the Kapla blocks that were lying around, along with a few books, and used them to build this impressive structure. When the tower got too tall, his little brother, who was waiting with him, stepped in. He asked his brother to help build it even higher by standing on a “human ladder” that he had set up himself. No sooner said than done. By the time the wait was over, the tower was finished and stood in front of the principal’s office for all to admire.

Now one might speculate on what factors played a role in this process: The joy of constructing buildings, the desire to reach new heights, an understanding of the delicate interdependencies between individual elements, innate skills in effective time management, or even strong social skills when it comes to achieving shared success with people with whom one doesn’t necessarily always see eye to eye in everyday life. In any case, the Steinmühle was amazed and left the structure standing until it could no longer withstand some rough treatment.

22. December 2022
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Summer Concert: Another “Full House” at the Forum

Art, Music & Theater, News

At the start of the summer concert at the Forum, only standing room was left—and even those spots were quickly filled. The event, with its many guests, was yet another example in the series of Steinmühle events of just how popular school events are—and how much the Steinmühle community had longed for them during the pandemic restrictions. As a precaution, many were still happy to wear a face mask!

The 6th-grade choir performed songs by Adel Tawil & Co., with Daniel Sans accompanying them on the piano. Jeannine Walter’s upcoming retirement was also mentioned, even though the official ceremony wasn’t scheduled to take place until three days later at the faculty’s summer party. The students had already performed a serenade with the fitting title “Happy Ending.”

The summer concert was hosted, as always, by Ulrike Wilmsmeyer. The 5th-grade wind ensemble, led by Andreas Jamin, showcased their skills. The upper-level choir, directed by Daniel Sans, impressed the audience with their fabulous vocal performances. Wind Ensemble Class 6 and the concert band, led by Stephan Reissig, demonstrated how one can improve even further by continuing to play a (wind) instrument beyond Class 5.

The many enthusiastic attendees were able to continue enjoying the evening on the Steinmühle grounds after the event had ended. As has been the custom in recent years, the school administration invited everyone to the boathouse to meet the Steinmühle rowing team over grilled food and cold drinks, learn about their latest activities, and marvel at the investments made by the rowing club and the school in the newly renovated boathouse.

19. August 2022
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The Vision of a Health Dictatorship: DS Class 12 Stages “Corpus Delicti”

Art, Music & Theater, News, Sports & Health

Some call this work the “contemporary German George Orwell.” In 2009, author Juli Zeh wrote the novel *Corpus Delicti*. The 12th-grade drama class staged this futuristic novel at the Steinmühle Forum. It depicts a scenario of a totalitarian surveillance state focused on the health of its citizens. The state—“the Method”—has the right to intrude on privacy. Or, to put it another way: it simply takes that right for itself.

It starts with the definition. What is health? “The Method” defines it as physical, mental, and social well-being. But who decides what that means? Who determines the criteria?

In any case, caution is advised. The eye of the Fourth Estate never sleeps. And that’s what happens to anyone who dares to lead a lifestyle that isn’t “immunologically compatible.” After all, a good person doesn’t smoke or drink. What’s more, those who oppose established methods also endanger the common good. And any means are justified to track them down.

Any means? Yes, absolutely any! Or who would have thought of sensors in the toilet that the government uses to measure stomach acid levels? Just one example of the kind of transparency we have to submit to.

 

A World of Ginger Shots and Smoothies

“With this play, the DS Group has addressed the highly topical issues of fitness optimization, the big data debate, the phenomenon of the surveillance state, and the tension between national security and freedom,” explains Melisande Lauginiger, who co-wrote and co-directed the play with Manuela Schmidt. “The play illustrates where things can lead when people are forced to give up their freedom in a state based on a misguided belief in state-guaranteed security.” The 19 students surrounding the protagonist “Mia Holl” had woven a few jokes and gags into this serious topic to elicit laughter and provide entertainment—even if it meant that the school principals, Björn Gemmer and Bernd Holly, were caught drinking wine or eating cream cake —which, of course, is a no-go in a world of ginger shots and smoothies.

“The play,” says Melisande Lauginiger, “transports us into a health dictatorship where brainwashing, oppression, manipulation, torture, and death not only turn people into puppets but also rob them of their individuality.” – A thought-provoking theatrical performance that received a round of applause and was illustrated with posters by Sarah Mengel (12a), Joelina Merle (12a), Alina Klähn (12a), Yunxi Zhang, and Fabian Diedrich (12c) had illustrated with posters under the guidance of art teacher Ines Vielhaben.

 

A clever “opener”

“We’re the opening act for the DS course”—with these words, a six-member cast from the Theater 5/6 club professionally kicked off the evening. The story revolved around a 5,000-euro loan, a money handoff in the park, “Manfred,” who was supposed to carry out a murder, and a person who did a truly excellent job acting as the eventual victim. The group led by teacher Dagmar Müller has potential—and will likely take the place of the main actors in a few years. We can’t wait to see what they’ll do!

 

19. August 2022
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A Trip Around the World: The 5th-Grade Musical Was “Top-Notch”

Art, Music & Theater, News

During their musical performance at the Steinmühle Forum, the 5th-grade class took the entire audience on a trip around the world. As a “family,” the students won this grand prize in a contest by finding the correct combination of numbers on the cap of a soda bottle. And as everyone knows, those who travel have stories to tell!

The first stop took the vacationers to Paris, before they later boarded a ship heading north. They marveled at the Northern Lights and celebrated Midsummer—all set against stunning backdrops. The group also traveled to Israel, then to Liberia, and on to Rio. Each stop was marked by appropriate musical performances, accompanied on the keyboard by Frank Wemme and conducted by Daniel Sans.

In every respect, this event—led by Ulrike Wilmsmeyer—was a delight for the audience. The youngest students at Steinmühle High School had memorized their lines very well, presented their performances with obvious joy, and looked great on stage as well. The Steinmühle Friends Association, led by Jasmine Weidenbach, had sponsored a total of 72 colorful T-shirts featuring a world map—designed and painted by Ms. Niedziella and Ms. Gräser from the costume team. The Sound & Light team led by Matthäus Otte ensured that the sound ran smoothly throughout the event.

The tightly choreographed and flawlessly executed program was extremely well received by the large audience. Enthusiasm spread throughout the packed forum. The thunderous applause after the event showed just how much the extensive preparations by everyone involved were appreciated. Many of them probably thought on their way home: Please, more events like this!

18. August 2022
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“Zwischenhausen Between Worlds”: The Steinmühle at “Performance Day”

Art, Music & Theater, Ecology and Sustainability, News

Climate change is a reality. The natural ecosystem of planet Earth has been severely disrupted by human activity and, in many areas, has already been destroyed, with devastating consequences for our ability to live and our quality of life. Extreme weather events and droughts, excessive heat, and severe storms will change the way we live and work, as well as how we spend our free time and enjoy the outdoors. To address these pressing problems, municipalities and private individuals are attempting to modify the microclimate in residential areas: removing impervious surfaces, greening roofs, facades, and courtyards, implementing green renovations in existing buildings, and revising zoning plans are at the top of their to-do lists.

Initiated by Ursula Eske, Waltraud Mechsner-Spangenberg, and Edgar Zieser, a community of artists formed in mid-July around the studio “IZwischen den HäusernI.” For a few hours at least, they brought to life the utopia of a radical vision of a green urban landscape: Starting on July 16, Zwischenhausen Street in Marburg was transformed during an extended performance involving numerous volunteers—including active members of the Zug Ketzerbach Volunteer Fire Department 2. —was covered with natural grass over an area of approximately 700 square meters, fostering not only food for thought but also, for the moment, a sense of well-being and joie de vivre.

Steinmühle also took part in the art festival.

“Eerily beautiful” or “beautifully eerie”—Steinmühlen art teacher Ines Vielhaben presented artworks created in a low-oxygen environment. Inside a zorb ball, using a respirator that allowed her to remain inside the hermetically sealed sphere for an extended period, she drew plant-like formations on the ball’s wall—reminiscent of past living conditions under functioning photosynthesis.

Is there hope for a climate of change if the streets are greened? Eleventh-grade students at Steinmühle explored their visions for the future. The delicate pencil drawings by Chiara Massa-Enders, Adama Sow, Joela Schwing, and Nicolas Althaus depicted the desolation of deforested forests or environmental conditions in which people can survive only with respirators and nature only within mobile climate capsules.

The event was supported by the City of Marburg as part of the Marburg 800 city anniversary celebrations.

17. August 2022
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Applause for a “cool village novel” — Sven Pfizenmaier reads at the Steinmühle

Art, Music & Theater, News

The German-language press hails the book as “the funniest work about the German provinces…,” praises its style with its “lively cascades of sentences,” and describes the author himself as a “magician and wanderer of worlds”: Reason enough for the Steinmühle to invite the young author Sven Pfizenmaier to a reading at the Forum. The bottom line: The book *Draußen feiern die Leute* was also well received at the Forum.

Before the event, Principal Bernd Holly (pictured with the author) raved about the novel, which he had devoured with enthusiasm. After the event, audience members lined up for an autograph. In between, the audience got to see a young man who read a sample from his successful book and came across as reserved.

His novel is different. Using a magnifying glass with an enormous focal length, Sven Pfizenmaier focuses on village life in the Lower Saxony countryside—not in the sense of an absence of big cities, but as something that can also make one feel lonely. The author describes three characters with exuberant precision, with an imagination that seems to run wild but reveals what it means to be different. The book revolves around these relatable characters—the drug lord Rasputin from the nearby city of Hanover, immigrants from Kazakhstan, and the ever-growing number of people who disappear from the town while the locals are partying. The Onion Festival, for example.

As one can see, the novel certainly has autobiographical elements. Everyday social problems are woven into anecdotes and placed within a broader context. The unflinching nature of the descriptions—without, however, exposing the characters to ridicule—is likely one of the secrets to Pfizenmaier’s success.

17. August 2022
https://steinmuehle.de/wp-content/uploads/sites/5/2022/08/Foto-1-scaled.jpg 1125 1500 konnertz https://steinmuehle.de/wp-content/uploads/sites/5/2025/11/Logo_SchuleInternat_Steinmuehle_2026_3.png konnertz2022-08-17 10:04:342026-06-18 17:35:56Applause for a “cool village novel” — Sven Pfizenmaier reads at the Steinmühle
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