Some call this work the “contemporary German George Orwell.” In 2009, author Juli Zeh wrote the novel *Corpus Delicti*. The 12th-grade drama class staged this futuristic novel at the Steinmühle Forum. It depicts a scenario of a totalitarian surveillance state focused on the health of its citizens. The state—“the Method”—has the right to intrude on privacy. Or, to put it another way: it simply takes that right for itself.
It starts with the definition. What is health? “The Method” defines it as physical, mental, and social well-being. But who decides what that means? Who determines the criteria?
In any case, caution is advised. The eye of the Fourth Estate never sleeps. And that’s what happens to anyone who dares to lead a lifestyle that isn’t “immunologically compatible.” After all, a good person doesn’t smoke or drink. What’s more, those who oppose established methods also endanger the common good. And any means are justified to track them down.
Any means? Yes, absolutely any! Or who would have thought of sensors in the toilet that the government uses to measure stomach acid levels? Just one example of the kind of transparency we have to submit to.
A World of Ginger Shots and Smoothies
“With this play, the DS Group has addressed the highly topical issues of fitness optimization, the big data debate, the phenomenon of the surveillance state, and the tension between national security and freedom,” explains Melisande Lauginiger, who co-wrote and co-directed the play with Manuela Schmidt. “The play illustrates where things can lead when people are forced to give up their freedom in a state based on a misguided belief in state-guaranteed security.” The 19 students surrounding the protagonist “Mia Holl” had woven a few jokes and gags into this serious topic to elicit laughter and provide entertainment—even if it meant that the school principals, Björn Gemmer and Bernd Holly, were caught drinking wine or eating cream cake —which, of course, is a no-go in a world of ginger shots and smoothies.
“The play,” says Melisande Lauginiger, “transports us into a health dictatorship where brainwashing, oppression, manipulation, torture, and death not only turn people into puppets but also rob them of their individuality.” – A thought-provoking theatrical performance that received a round of applause and was illustrated with posters by Sarah Mengel (12a), Joelina Merle (12a), Alina Klähn (12a), Yunxi Zhang, and Fabian Diedrich (12c) had illustrated with posters under the guidance of art teacher Ines Vielhaben.
A clever “opener”
“We’re the opening act for the DS course”—with these words, a six-member cast from the Theater 5/6 club professionally kicked off the evening. The story revolved around a 5,000-euro loan, a money handoff in the park, “Manfred,” who was supposed to carry out a murder, and a person who did a truly excellent job acting as the eventual victim. The group led by teacher Dagmar Müller has potential—and will likely take the place of the main actors in a few years. We can’t wait to see what they’ll do!
